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Essex Hemphill

Essex Hemphill was an openly gay American poet and activist. He is known for his contributions to the Washington, D.C. art scene in the 1980s, and for openly discussing the topics pertinent to the African-American gay community. Born : 16th-Apr-1967

Movie Credits

Af-Fixing Ceremony: Four Movements for Essex, Movement I: Essex + Audre

Between 2014 and 2017, McClodden revived the work of deceased Black queer artists who were active during the 1980s AIDS epidemic, including the poet and activist Essex Hemphill. Here, McClodden remakes a scene from Marlon Riggs’s essay-film Tongues Untied (1989), in which Hemphill recites a passage from writer Audre Lorde’s Sister Outsider: Essays and Speeches (1984). McClodden describes the video as “a portrait of self-contained conflict and rage,” with Hemphill gazing directly into the camera. Conceived as a “duet” between Hemphill and Lorde, it also underscores Hemphill’s commitment to Black feminist thought, highlighting the transfer of language and influence from one poet-activist to another. [Overview Courtesy of MoMA]
Released : 1st-Dec-2015

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Essex Hemphill: From The Anacostia to the Potomac

Video performance of poetry by Essex Hemphill in performance with Larry Duckette, Brenda Files & Cordell Credle
Released : Unknown

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Tongues Untied

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Released : 16th-Mar-1990

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Affirmations

A look at what it's like to be gay and black in America.
Released : 23rd-Jun-1990

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Anthem

A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Released : 21st-Jul-1993

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Black Is… Black Ain’t

African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Released : 1st-Jun-1994

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