Auguste Lumière

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The Lumière brothers were the first filmmakers in history. They patented the cinematograph in 1895, which in contrast to Edison's "peepshow" kinetoscope allowed simultaneous viewing by multiple parties. Their first film, Sortie de l'usine Lumière de Lyon, shot the same year, is considered the first true motion picture that was publicly screened on December 28, 1895 at the Salon indien du Grand Café in Paris. The event that gave birth to cinema. Born : 19th-Oct-1862

Movie Credits

Demolition of a Wall

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Released : 6th-Mar-1896

Radeau avec baigneurs

Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.
Released : 6th-Sep-1896

Baby's Meal

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
Released : 28th-Dec-1895

Women Fighting

A quarrel between two women that a man attempts to separate.
Released : 21st-Mar-1896

The Photographical Congress Arrives in Lyon

Down the gangway, photographers leave the deck of a riverboat in large numbers.
Released : 12th-Jun-1895

Lumière!

A collection of restored prints from the Lumière Brothers.
Released : 7th-Jun-2016

The Lumière Brothers' First Films

A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.
Released : 18th-Jul-1996

Fishing for Goldfish

A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with her bare hands.
Released : 28th-Dec-1895

Photograph

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.
Released : 1st-Jan-1895

ViennaFilm 1896-1976

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer
Released : 1st-Jan-1977

TV Credits

Encyclopédie audiovisuelle du cinéma

Self (archive footage) - Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.
Released : 24th-Sep-1978

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