Kanan Devi

Profile

Kanan Devi was a popular singer and actress and the earliest female star of Bengali cinema Born : 22nd-Apr-1916

Movie Credits

Shree Gouranga

Sree Gouranga is a 1933 Indian Bengali biographical film that chronicles the life of the revered spiritual leader, Sri Chaitanya Mahaprabhu, also known as Gauranga. The film delves into the early life of Mahaprabhu, born Nimai in Mayapur in 1486, highlighting his mischievous childhood and subsequent intellectual brilliance. Despite family pressure to marry, Mahaprabhu prioritizes his spiritual journey and eventually leaves his home to become an ascetic. The film portrays his deep devotion to Lord Krishna and his eventual return to visit his mother, where he instructs his wife to worship the same deity. The film is a historical and devotional portrayal of the saint's life.
Released : 2nd-May-1933

Mejdidi

Released : 9th-Jun-1950

Kanthahar

A 1935 Bengali Film directed by Jyotish Bandyopadhyay.
Released : 21st-Dec-1935

Manmoyee Girl's School

A comedy adapted from a successful play. The zamindar Damodar Chakraborty (Chakraborty) starts a school named after his wife and recruits a married couple as teachers. Manas (Ganguly in the role which had made him a stage star) and Niharika (Kanan Devi) pretend to be married in order to get the jobs. Their imposture, together with the fact that he is Hindu while she is Christian, produces complications.
Released : 26th-Jul-1935

Ananya

A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).
Released : 8th-Apr-1949

Arabian Nights

The 1946 Indian film.
Released : 27th-Dec-1946

Ban Phool

The Hindi film starring Kanan Devi and Krishnankant.
Released : 28th-Dec-1945

Street Singer

Two street urchins dream of singing and making it big in the glamorous world of theatre in Calcutta.
Released : 4th-Feb-1938

Vidyapati

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.
Released : 1st-Jan-1937

Sapera

Adapted from a story by Kazi Nazrul Islam this film concerns love and revenge among a tribe of snake charmers led by Jahar (Nawab) who is searching for his 100th poisonous snake so as to show how he can magically cure its deadly bite.
Released : 1st-Jan-1939

Debatra

A 1955 Bengali Drama Film directed by Haridas Bhattacharya.
Released : 8th-Apr-1955

Mukti

This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behavior.
Released : 18th-Sep-1937

Hospital

Pratima (Kanan Devi), a nurse, is persuaded by Jayant (Ganguly) to pretend to be his wife for a day, in order to convince his father Dr Dindayal (Choudhury) of his need for money. Dr Dindayal likes his new daughter-in-law very much and wants her to accompany him to the country where he runs a charitable hospital in the name of his late wife. There Dr Bhatt, Dindayal’s rival, finds out by hiring detectives that Pratima and Jayant are not married. He uses the information to try to oust Dindayal from the hospital. The solution eventually links with Pratima’s growing sense of responsibility towards Dr Dindayal’s medical endeavours.
Released : 17th-Apr-1943

Jawab

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.
Released : 22nd-Mar-1942

Shesh Uttar

The wealthy, self-obsessed, and possibly crazed Manoj (Barua) is sent by his concerned family to the rural estate of his future father-in-law. Along the way, however, he gets lost and soon finds himself taking shelter in the abode of the railroad stationmaster whose beautiful, down-to-earth daughter, Meena (Kenan Devi), Manoj finds irresistible. When his haughty, progressive-minded fiancée gets wind of this, she freaks out and soon there is a showdown between the two women. In the aftermath, Manoj finds reason to go with his heart and marry Meena.
Released : 25th-Sep-1942

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