Profile

Peter Campus

Born in 1937, Peter Campus studied experimental psychology at Ohio State College and film at the City College of New York. His early tapes explore the anatomy of the video signal in relation to human psychology and perception. "The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with." Campus was one of a group of artists in the mid-70s who produced work in the experimental TV labs at WGBH in Boston and WNET in New York. In addition to numerous single-channel works, he has investigated the characteristics of "live" video through closed-circuit video installations and elaborate sculptural works whose structural components included video cameras, projectors, and monitors. Born : 1st-Jan-1937

Movie Credits

Three Transitions

"The tape is one of the seminal works in video. In three short exercises, Campus uses basic techniques of video technology and his own image to create succinct, almost philosophical metaphors for the psychology of the self. In these concise performances, he employs video's inherent properties as a metaphorical vehicle for articulating transformations of internal and external selves, illusion and reality."
Released : 1st-Jan-1973

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Set of Co-incidence

Writes Campus, "I made this tape shortly after my father's death. His death permeates the tape, both in the quality of my performance and in the content. The performer makes a journey out of a seemingly real but obviously theatrical set through a moving corridor (the Holland Tunnel) and into a space of video noise. The idea of a journey from this world to another is most obviously stated, as the self divides into many parts, then finally dissolves into some energy fabric." Here Campus investigates the metaphorical significance of simultaneous and multiple video images coinciding in one time and space. Illusion and reality are conjoined as one image of himself observes another. Dislocation, displacement and transformation are manifested in the proliferation of self-images.
Released : 1st-Jan-1974

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R-G-B

Writes Campus, "My most dryly stated tape, free of insinuation, [R-G-B] is simply the exploration by a performer of the color system in which he is trapped, much like a prisoner pacing off his cell." Campus the performer creates a self-portrait within the technical system, transforming video space as he manipulates color physically, mechanically and electronically. Staring directly into the camera, he first places multicolored gels on the lens, then projects slides of pure color. Exploring video's electronic color system, he points the camera at a monitor and adjusts the color switches, creating a chain reaction, a video "hall of mirrors." Finally, he totally immerses his figure in saturated fields of electronic video color, his body ultimately submerged in the technology.
Released : 1st-Jan-1974

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Casual Relations

In Rappaport’s dazzling and bizarre feature-length debut, he focuses on states of imaginative possession and dispossession, demonstrating how impossible it is to separate fantasies, dreams, and realities.
Released : 22nd-Mar-1974

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