Profile

Robert Gardner

Robert Gardner was the Director of the Film Study Center at Harvard University from 1957 to 1997. He is known for his work in the field of non-fiction film. He is an internationally renowned filmmaker and author whose works have entered the permanent canon of non-fiction filmmaking. Some of his most prominent films include Dead Birds (1964), a lyric account of the Dugum Dani, a Stone Age society at one time living an isolated existence in the Highlands of the former Netherlands New Guinea (Gardner was the leader of the Peabody Museum-sponsored expedition to study the Dani in 1961-62); Rivers of Sand (1974), a social commentary on the Hamar people of southwestern Ethiopia; and Forest of Bliss (1985), a cinematic essay on the ancient city of Benares, India, which explores the ceremonies, rituals, and industries associated with death and regeneration. Gardner’s films have received numerous awards, including the Robert J. Flaherty Award for best nonfiction film (twice); the Golden Lion for Best Film at the Florence Film Festival (three times); and First Prizes at the Trento, USA Dallas, Melbourne, Nuoro, EarthWatch, Athens, and San Francisco film festivals. His films have been invited to Festivals throughout the world including Jerusalem, Bergen, London, Munich, Toronto, Montreal, Margaret Mead, Marseilles, Locarno, Chicago and Cinema du Réel. Born : 5th-Nov-1925

Movie Credits

Flaherty and Film


Released : 1st-Jan-1960

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Q'eros: The Shape of Survival

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
Released : 14th-Mar-1979

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Dead Birds

The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain people," believe that there was once a great race between a bird and a snake, which was to determine the lives of human beings. Should men shed their skins and live forever like snakes, or die like birds? The bird won the race, dictating that man must die. The film's plot revolves around two characters, Weyak and Pua. Weyak is a warrior who guards the frontier between the land of his tribe and that of the neighboring tribe. Pua is a young boy whom Gardner depicts as weak and inept.
Released : 1st-Oct-1963

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Reality's Invisible

Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton would later serve as a cinematographer on Gardner’s 1981 documentary Deep Hearts, among others). Reality’s Invisible could be described as a portrait of the Carpenter Center, yet it is a portrait of an extremely idiosyncratic and distinctive sort. Fulton moves us through the concrete space of the Center’s Le Corbusier-designed building—the only structure by the architect in North America—but, more centrally, presents us footage of students making and discussing their work alongside figures like Gardner, theorist Rudolf Arnheim, artist Stan Vanderbeek, filmmaker Stan Brakhage, and graphic designer Toshi Katayama.
Released : 19th-Apr-1972

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Looking at Forest of Bliss

Director Robert Gardner and legendary filmmaker Stan Brakhage share an in-depth viewing of Gardner's ethnographic masterwork, Forest of Bliss. The film is shown in its entirety, with Gardner occasionally pausing to elucidate, and Brakhage brilliantly observing tonality, poetic imagery, life, death, the unconscious, and, well, just being damned insightful. - dred
Released : 13th-May-2000

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Fort Rupert

Kwakiutl, Kwakwaka'Wakw, potlatches. British Columbia tribe as a civilization in decline as assimilation has almost obliterated native culture. Fort Rupert, Britsh Columbia Canada
Released : 2nd-Dec-1951

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TV Credits

Screening Room

Himself - Independent filmmakers are given a chance to show and discuss their work on a commercial (ABC-TV) affiliate station.
Released : 1st-Nov-1972

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