Profile

Jerome Hiler

Jerome Hiler began his creative life as a painter and was a student of Natalia Pohrebinska at Pratt Institute. Within a few years, Mr. Hiler became enthralled with the visual and poetic possibilities of 16mm experimental film. In particular, his encounter with the films of Marie Menken, Gregory Markopoulos and Stan Brakhage deeply affected his own artistic path. It completely changed the focus of his creative energies and led to decades of work as a filmmaker. For most of his life, Mr. Hiler only screened his work among his circle of friends. However, from 1995 on, his work has been seen more publicly. He has shown his films at London's LUX film series, the San Francisco Film Festival, many seasons at the New York Film Festival, the London Film Festival and was selected by the Whitney Museum of American Art to participate in the 2012 Biennial for a week of screenings. Throughout his career, Mr. Hiler has also worked on feature films and documentaries. In the documentary field, he has worked either as photographer, editor or director and, occasionally, all three. Mr Hiler also works in the field of stained glass, which he considers a sister-art to film. Under the title CINEMA BEFORE 1300, he has presented slide lectures on medieval glass, culled from his extensive collection of photographs on the subject at the Yerba Buena Center for the Arts, Princeton University and The Art Gallery of Toronto. Mr. Hiler brought his love of classical music together with film in working as co-director on MUSIC MAKES A CITY. Born : Unknown

Movie Credits

Cinema Before 1300

More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass. Jerome Hiler’s passion for medieval stained glass impacted his filmmaking practice and led to a fascinating evolving lecture, “Cinema Before 1300”
Released : 17th-Sep-2023

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New Shores

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the “stone house” in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It’s a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears.
Released : 6th-Oct-2012

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Intimations

The fourth of the “cinematic songs,” followed by two new works “made by someone closer to passing on, by someone whose sense of life and sense of cinema have become inseparable in a very real way.”
Released : 29th-Sep-2015

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Hours for Jerome

"This footage was shot and edited from 1966 to 1970 and then edited to completion over a two year period ending in July 1982. Hours for Jerome (as in a Book of Hours) is an arrangement of images, energies, and illuminations from daily life. These fragments of light revolve around the four seasons. Part one is spring through summer; Part two is fall and winter." (N. D.)
Released : 5th-Dec-1982

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Divided Loyalties

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin, "There is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so much of his subject matter." -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
Released : 1st-Jan-1978

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Letter to D.H. In Paris

Stoned people, music, movement, fields.
Released : 2nd-Jun-1967

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