Joe Gibbons

Profile

Joe Gibbons is an American artist and filmmaker known for his experimental autobiographical films that blend reality and fiction. His works, such as Confessions of a Sociopath (2002), often feature a character named Joe Gibbons, blurring the lines between his personal life and artistic persona. Gibbons has taught at institutions like the Massachusetts Institute of Technology and has been recognized with fellowships from the New York Foundation for the Arts and the National Endowment for the Arts. His innovative approach to filmmaking challenges traditional narrative structures and offers a unique perspective on self-representation. Born : 1st-Jan-1953

Movie Credits

Confessions of a Sociopath

Confessions of a Sociopath is an autobiographical film on digital video and Super 8 film, conceived as a real-life version of Beckett’s Krapp’s Last Tape. In this film, Joe Gibbons plays a fictionalized version of himself as he discovers a roomful of Super 8 footage from his own life, detailing events he can no longer recall. This footage shows his earlier film experiments, his descent into destructive behavior, and his “bottoming out” on drugs and alcohol. At a certain point, the films are replaced by random photos, police records, and psychiatric hospital records.
Released : 1st-Jan-2002

Please Leave a Message: Anthology Film Archives Voicemails Through the Ages

This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system over the years. From the historically important to the utterly (and sublimely) absurd, they feature a cast of characters ranging from legendary avant-garde filmmakers, scholars, and other cultural figures to civilians whose legend has (until now) been confined to the offices of Anthology, thanks precisely to their witty, eloquent, eccentric – or in some cases unforgettably psychotic – voicemails. We’ve toyed with the idea of sharing these messages in some form for years, and the “Imageless Films” series provides a perfect pretext.
Released : 21st-Sep-2022

Classics Exposed

The real story behind the classics Moby Dick and Metamorphosis starring Joe Gibbons.
Released : 1st-Jan-1999

Pretty Boy

Tension between a man and his handsome young rival (a Ken doll) erupts into violence. Their interaction devolves from a series of tussles to a spanking.
Released : 1st-Jan-1994

Barbie's Audition

Gibbons plays the sleazy Director and lampoons the movie audition and its legendary corollary, the casting couch. Barbie is recast, not as the impossible-to-attain ideal beauty, but as the victim of sexual harassment and exploitation.
Released : 1st-Jan-1995

His Master's Voice

Gibbons presents a Son of Sam-like relationship between a man and his dog in which the man takes the dog to task for the terrible things he has made him do.
Released : 1st-Jan-1994

Sabotaging Spring

Gibbons enters the woods to begin his destructive campaign against spring, snapping the buds off trees while babbling maniacally. SABOTAGING SPRING is an impressionistic peek at Gibbons’s paranoid fancy; he explains the facts of life, evolution, and whistling to his dog Woody.
Released : 1st-Jan-1991

Elegy

It’s the first day of autumn, and Gibbons can already smell death in the air. Leading us and his dog Woody on a walk through a cemetery, Gibbons voices his obsessive thoughts of death and destruction. Waxing weirdly philosophical, Gibbons satirically tries to impress the concept of mortality on his dog; the video, shot in Pixelvision, approximates his dog’s black-and-white vision.
Released : 1st-Jan-1991

Final Exit

An aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment? Does he wish to go on living, the quality of his life increasingly diminishing, or be euthanized? Would he prefer cremation or burial? This video confronts the issues of mortality and advancing decrepitude that faces even the friskiest.
Released : 1st-Jan-2001

Multiple Barbie

In an attempt to re-integrate Barbie’s personality, fragmented from the trauma of parental sexual transgression and compounded by an abusive relationship with her boyfriend Ken, a therapist opens a Pandora’s Box of psychopathy.
Released : 1st-Jan-1998

The Stepfather

When Barbie's estranged stepfather Joe tries to quash her romance with young beau Ken, the fur flies.
Released : 21st-Nov-2002

Living in the World

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.
Released : 1st-Jan-1985

The Genius

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for transferring personalities from one person's body to another; he becomes obsessed with an outlaw artist (played by performance artist Karen Finley) who destroys paintings in various galleries as a form of anarchist, anticapitalist protest.
Released : 2nd-Apr-1993

How to Rob Banks for Dummies

After several bank robberies carried out in the name of art (and money), video artist and former MIT professor Joseph Gibbons leaves prison, re-enters the art world, and tries to go straight for the very first time.
Released : Unknown

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