Profile

Barbara Meter

Barbara Meter finished the Dutch Film Academy in 1963 and got an MA Film and video at the London School of Printing in 1995. Meter was co-founder of Electric Cinema, in the early 70's a bastion of Dutch experimental cinema. Meter has made many experimental short films, and also some feature films and documentaries. She also worked as a curator of film programs, teacher and free-lance lecturer on film. Born : 1st-Jan-1939

Movie Credits

IJdijk

a man with a moped and groups of boys (one in particular) are in conflict, which sometimes turns into erotic play.
Released : 1st-Aug-1965

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Home Movies 1971-81

Home movies shot on Super 8mm by W+B Hein over 10 years.
Released : 1st-Jan-1985

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De minder gelukkige terugkeer van Joszef Katus naar het land van Rembrandt

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
Released : 3rd-Aug-1966

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...And a Table

A man and a woman sit in front of a window and eat breakfast. Through the window, we see the countryside. During the day, they remain seated at the table. The settings, light, and depth of field change: slowly we learn the vocabulary of the medium. In the final shots, the camera is reflected in the windows, and we see lights being cleared away. The film itself, and not the man and woman at the table, has become the subject of the film.
Released : 1st-Jan-1971

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Songs for Four Hands

A man and a woman converse wordlessly. An essential film dialogue. The accompanying sound was created by playing a chord from a Mahler symphony through two 'reel-to-reel' tape recorders and editing it.
Released : 25th-Aug-1970

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Retour d'enfance

Photos and film footage are edited, damaged, scratched, and painted. The original images are only vaguely recognizable, as if they are already part of our ‘tainted’ memory. The film was made in response to the death of Janis Joplin.
Released : 1st-Jan-1969

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