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César Baldaccini

César (born Cesare Baldaccini; 1 January 1921 – 6 December 1998), also occasionally referred to as César Baldaccini, was a noted French sculptor. César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects. He was a French sculptor, born in 1921 to Italian parents from Tuscany in the working-class neighbourhood of la Belle-de-Mai in Marseilles. His father was a cooper and bar owner. After studying at the Ecole des Beaux-Arts, Marseilles (1935-9) he went on to the Ecole des Beaux-Arts in Paris (1943-8). He began making sculptures by welding together pieces of scrap metal in 1952 and first made his reputation with solid welded sculptures of insects, various kinds of animals and nudes. His first one-man exhibition was at the Galerie Lucien Durand, Paris, 1954. His early work used soldered and welded metal as well as junk materials, and by 1960 César was considered one of France's leading sculptors. In that year, on a visit to a scrap merchant in search of metal, he saw a hydraulic crushing machine in operation, and decided to experiment with it in his sculpture. He astonished his followers by showing three crushed cars at a Paris exhibition. It was for these 'Compressions' that César became renowned. César selected particular cars for crushing, mixing elements from differently coloured vehicles. In this way he could control the surface pattern and colour scheme of the piece. Later the same year he joined the Nouveaux Réalistes (New Realists) - Arman, Klein, Raysse, Tinguely, Pierre Restany and others who found their inspiration in urban life. In 1965, he started to work with plastics, first with plastic moulds of human imprints, then from 1966 by pouring expanded polyurethane, which was allowed to expand and solidify. He gave up making welded-metal sculpture in 1966 and organised a series of Happenings from 1967 to 1970, in which he produced expansions in the presence of an audience. His later works also included sculptures made out of molten crystal. In 1995, he was asked to paint a McLaren F1 GTR that participated in the famous 24 Hours of Le Mans. The car Chassis GTR5 is still in the livery created by César, and represents the only 'Art Car" based on the iconic Mclaren. He is the creator of the César du cinéma trophy, which is awarded to the best in French cinema. He was made Chevalier (Knight) of the Légion d'honneur on 22 January 1978 and promoted Officier (Officer) in 1993. He married Rosine and had one daughter. He died in Paris in December 1998. Following his death there was an extended dispute over his will between his widow and daughter on the one hand and Stéphanie Busuttil, his companion at the time of his death, on the other. ... Source: Article "César Baldaccini" from Wikipedia in English, licensed under CC-BY-SA 3.0. Born : 1st-Jan-1921

Movie Credits

Monsieur Hulot's Holiday

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Released : 25th-Feb-1953

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Flash Love

Jeanne, a little secretary dreaming of love, meets Alain, a reporter-photographer with a major daily newspaper. He takes her along on his professional nocturnal activities, during which she meets a host of celebrities. One evening, Alain takes photos of the kidnapping of a diplomat, and is followed by a mysterious individual who wants the film back. Alain falls in love with Jeanne. Their embrace is passionate. During the night, he manages to get rid of the follower, then receives a new assignment: to leave for Colombia as soon as possible. He sacrifices his love for Jeanne to his ambition, and she waits in vain for him before returning to her dull life.
Released : 4th-Oct-1972

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Celluloid and Marble

Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.
Released : 25th-Jun-2011

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César

In 1971, Jean-Daniel Pollet & Guy Seligmann directed for French TV a documentary about French artist César Baldaccini. It was part of L'invité du dimanche show.
Released : 21st-Jan-1971

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TV Credits

Le Grand Échiquier

Self -
Released : 12th-Jan-1972

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30 millions d'amis

Self -
Released : 6th-Jan-1976

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