Boris Lehman | Actor | Actress

Profile

Boris Lehman

Boris Lehman, born March 3rd 1944 in Lausanne (Switzerland), is a Belgian filmmaker whose work is oriented towards experimental cinema, cinematographic essay, filmed news and documentary. Born : 3rd-Mar-1944

Movie Credits

Une Histoire de Cheveux (Sibérie)

Histoire de mes cheveux ended with a shot where I found myself locked in a concentration camp. I had said shortly before that I was glad I finally arrived home. A song of hope, however, echoed with a fantasized happy ending (Hollywood kiss) and a song that heralded spring. In reality the film did not end there. There was a second part to this story. The first tells the story of the condemned man, the second that of the survivor. And so the film had to start with a scene that could never be shot where I was escaping from the camp.
Released : 11th-Oct-2021

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The Dreamed Films

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.
Released : 18th-Mar-2010

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Jardins clandestins

Released : 24th-Aug-2012

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Story of My Hair

The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
Released : 1st-Jan-2011

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Masque

Boris Lehman's funereal mask is constructed when he is alive (which therefore requires him to construct a rudimentary canal to breathe through the plaster).
Released : 1st-Jan-1987

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War is Looming

This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site through the concrete and physical data visible on the ground perceived as a holed-out space mined by disappearance, in particular the buildings, which subsist as ruins. This film is less preoccupied with drawing lessons from history than fuelling the present with a history that, like a blinding mirror, is of the utmost concern.
Released : 1st-Apr-2011

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Conversation avec Boris Lehman

Released : 7th-Jan-2012

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L'Odyssée

Released : 2nd-Jan-2016

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My Seven Places

Seven apartments, seven times of life: one film. A classic diary film, Boris Lehman intimately chronicles his own existence and that of objects and places that became an essential part of his life. A truly cinematic experience that gives us a highly European sense of space, time and history itself.
Released : 8th-Jan-2014

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Lapses, Regrets and Qualms

A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
Released : 15th-Oct-2016

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365 Day Project

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Released : 31st-Dec-2007

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Portrait of the painter at his workshop

The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice: that of the singer Esther Lamandier (who goes by the same name as Arié: Mandelbaum means «I'amandier»).
Released : 1st-Jan-1985

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Déconstruction

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...
Released : 1st-Jan-2009

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My Conversations on Film

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
Released : 13th-Oct-2013

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Trying to Describe Oneself

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
Released : 4th-Nov-2005

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Cinématon

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Released : 20th-Dec-1978

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Story of My Life Told by My Photographs

Through many photographs, he tells the story and allows his story to be told by those photographed. This is where the brilliant documentary reversal takes place.
Released : 1st-Jan-2002

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La Marelle et les Epouvantails

Released : 22nd-Sep-2011

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The Image, The World

In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this, he fights against the material and the ball, embraces it, lies down on it, twists and tramples it. Illusory victory or vain efforts?
Released : 1st-Jan-1998

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Couple, regards, positions

A two-way mirror. Water and fire. Water extinguishes fire, and fire boils away water. There are many difficulties preventing them from understanding one another.
Released : 27th-Feb-1983

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The Dead Tree

The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South America.
Released : 1st-Jan-1987

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Hérésie pour Magritte IV

Ulrich Gregor is filmed in his office at the Berlin Film Festival surrounded by the festival's poster (The Great Family of René Magritte).
Released : 4th-Apr-1979

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Le journal de Joseph M.

Released : 15th-Feb-2000

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The Last Supper

The dialogue is based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of them movie-makers, filmed in front of the last house still standing opposite the new buildings of the European Union. Judas is played by Claudio Pazienza and Christ by Boris Lehman. The film was shot in a matter of hours on a Sunday morning, with an incredible decor in a street that had been razed to the ground by property developers, just before the police arrived.
Released : 5th-Sep-2003

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Earthen Man

From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.
Released : 1st-Jan-1989

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Man Carrying

The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by Alfred Jarry in La Chandelle Verte. An essay on heaviness and lightness. The carrying man would like to fly, vanish into thin air, into light. When he meets another machine-man, who carries electronic pictures, his dream will come true.
Released : 30th-May-2003

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Red Mudh

Released : 27th-Mar-2005

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Alterations and Repairs

Portrait of Richard Kenigsman by Boris Lehman.
Released : 12th-Jan-2007

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Vie

Released : 14th-Apr-2011

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Boris Lehman à Toulouse

Released : 12th-Jun-2020

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Brussels-Transit

Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.
Released : 18th-Feb-1982

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Cinématon IV

Reel 4 of Gérard Courant's on-going Cinematon series.
Released : 23rd-Dec-1978

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Paradox

Released : 1st-Jan-2013

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Babel: A Letter to My Friends Left Behind in Belgium

"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who has a notion to follow in the footsteps of dramatist Antonin Artaud and visit the Tarahumara people of Mexico. This is a film about intimacy and friendship. Written in the first person, it places Boris and Brussels in the center of the universe, here represented by the crazy, vertiginous, endless spiral of the biblical Tower. It is Boris's diary and self-portrait. He plays himself on screen (as do the cast of a hundred who also allowed themselves to be "Babelized")
Released : 1st-Jan-1991

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Autour de Jeanne Dielman

During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.
Released : 1st-Jan-1975

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Jean-Gina B.

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he was in fact a woman. Director Jean-Pol Ferbus follows Jean Bella and makes him talk about his life, psychological and spiritual experiences and reveals the true poet who remained undisclosed for most of this person's life. The film ultimately isn't about transexuality but about loneliness one can experience when he/she feels very deeply that she/he belongs to the two sexes and this in a deep, almost religious, fashion, to such an extent that sexuality itself is being erased from one's life. Jean-Gina Bella is a woman in the body of a man who bravely lived a life on the sea, eventually fighting the elements, talking to God when lost on the immense solitary ocean. This testimony is a very touching and poetic one.
Released : 1st-Jan-1984

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Cinématon n°468 : Boris Lehman

Released : Unknown

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EXPRMNTL

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
Released : 8th-Oct-2016

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