Mariana de Moraes

Movie Credits

Neville D'Almeida: Chronicler of Beauty and Chaos

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Released : 4th-Jul-2019

Looking for Black Orpheus

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.
Released : 20th-May-2005

Killed the Family and Went to the Movies

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Released : 10th-Jan-1991

Fulaninha

Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.
Released : 5th-Feb-1986

Consideração do Poema

Carlos Drummond de Andrade's poetry is read by exponents of Brazilian culture, such as Chico Buarque, Caetano Veloso, Adriana Calcanhoto, Fernanda Torres, Marilia Pera, Antonio Cicero and others.
Released : 3rd-Mar-2011

Buccaneer Soul

50 years of Brazilian history seen from the point of view of a friendship among two intellectuals.
Released : 7th-Jul-1993

Vinicius de Moraes

To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.
Released : 1st-Nov-2005

Já que Ninguém me Tira Para Dançar

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
Released : 28th-Oct-2021

Desire Machine: 60 Years of Teatro Oficina

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
Released : 10th-Apr-2021

Leila Diniz

The life of Brazilian actress Leila Diniz.
Released : 1st-Nov-1987

Mulheres Luminosas

Released : 10th-Oct-2017

Dark Galaxy

"They are combinations of fragments. There are no stories, it is possible to mount these fragments in many ways. »Cine-eye or cine-voice-eye. The text of the Galaxies goes straight to the image. »A text rewritten for the eye» (H. de Campos).
Released : 1st-Jan-1993

Fire Light

Biography of a Brazilian dancer who lived on an island and practiced nudism when it was forbidden by law.
Released : 5th-Apr-1982

Banana Split

In Petrópolis in the 1950s, the group of Nei, Cabelinho, Bambolê, Laura and Carminha is excited about the arrival of the cariocas, who symbolize the highest level of modernity.
Released : 5th-Apr-1988

It's Not All True

Orson Welles goes to Brazil to shoot his documentary It's All True.
Released : 22nd-Aug-1986

Os Sertões - A Terra

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.
Released : 2nd-Dec-2002

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