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David Gatten

David Edward Gatten (Born February 11, 1971, Ann Arbor, Michigan) is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloguing the variety of ways in which texts function in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employ cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows. Among other projects, they are currently working on a series of films entitled Secret History of the Dividing Line, a True Account in Nine Parts, a project which Artforum magazine called "one of the most erudite and ambitious undertakings in recent cinema." He was awarded a Guggenheim Fellowship in 2005 to continue work on this series of films exploring the library of William Byrd II of Westover (1674–1744) and the lives of William Byrd and their daughter Evelyn Byrd (1707–1737). [Wikipedia] Born : 11th-Feb-1971

Movie Credits

Odysseus and the Oceanic Feeling

A queer contemporary re-imagining of the Odyssey. Odysseus wracked with guilt for the loss of his crew returns home in search of a lost love. An experimental narrative told through still photographs, collage, video, found footage and animation.
Released : 5th-May-2017

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Intermission

Four short interludes on filmmaking, chemistry, the American West and interplanetary communications.
Released : 30th-Dec-2016

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The Illinois Parables

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?
Released : 22nd-Jan-2016

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