Profile

Ben Russell

Ben Russell (b.1976, USA) is an artist and filmmaker whose films and installations are in direct conversation with the history of the documentary image, providing a time-based inquiry into trance phenomena. Russell received a FIPRESCI International Critics Prize (IFFR 2009) for his first feature film Let Each One Go Where He May. Born : Unknown

Movie Credits

The Ataraxians

From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
Released : 1st-Jan-2004

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Rock Me Amadeus by Falco Via Kardinal by Otto Muehl

(3:00, video, color, sound, 2009) A closely hewn remake of the first half of Viennese Actionist (and convicted sex offender) Otto Muehl's 1967 film Kardinal with the following minor substitutions: the original woman is played by the artist, the original artist is played by a woman wearing a powdered wig, and the film is presented as a Karaoke sing-a-long to a tune by one of Otto Muehl's more effete 80's popstar countrymen.
Released : 6th-Sep-2009

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Daumë

Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
Released : 1st-Jan-2000

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The Death of Abraham Lincoln (In Three Parts)

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.
Released : 1st-Jan-1998

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Extra Terrestrial

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas
Released : 1st-Jan-2004

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The Red and the Blue Gods

An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
Released : 1st-Jan-2005

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Ride Like Lightning, Crash Like Thunder

Through softly textured 16mm photography and regional iconography, Silva offers a modernist reflection on two of upstate New York’s most storied 19th century touchstones—the landscape painters of the Hudson River School and the legend of Rip Van Winkle—nodding to a few musical heroes along the way.
Released : 8th-Oct-2017

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